APPLICATION OF MIXED MEDIA IN SHOWCASING AND PRESERVING TRADITIONAL COSTUMES

CHAPTER ONE:

INTRODUCTION

1.1 BACKGROUND OF THE STUDY

The Ohafia war dance, a significant cultural practice among the Igbo people of Nigeria, embodies deep historical and spiritual meaning. Central to this dance are the elaborate costumes worn by participants, which not only reflect the warriors' attire but also symbolize their heritage, bravery, and communal identity.

Okpewho. I (1991) examine various aspects of the Ohafia war dance, including its historical background, cultural significance, and performance rituals. While it may not specifically address the use of mixed media in depicting costumes, it provides foundational knowledge that can enrich understanding of the dance and its visual representations. This traditional Igbo dance, known for its elaborate costumes and rhythmic movements, presents a rich subject for artistic interpretation. Mixed media, combining various materials like fabric, paint, and perhaps digital elements, allows artists to capture the intricate details and vibrant colors of the dancers' attire. Such studies not only preserve cultural heritage but also showcase how contemporary art forms can reinterpret and celebrate traditional practices.

Ugorji. B (2001) explores the cultural significance of dance costumes among the Ohafia people, which can provide insights into how mixed media can be employed to visually represent these costumes. Traditional documentation of the Ohafia war dance and its costumes has primarily relied on oral history, limited photography, and textual descriptions. However, these methods often struggle to capture the dynamic and intricate details of the costumes, leading to gaps in understanding and preservation.

In recent years, advancements in mixed media approaches have provided innovative opportunities to enhance the documentation and representation of cultural practices such as the Ohafia war dance. Mixed media, encompassing visual arts, digital technology, and multimedia storytelling, offers a multidimensional platform to showcase the vibrancy and complexity of traditional costumes. This study seeks to explore the application of mixed media in depicting and preserving the costumes of the Ohafia war dance. By leveraging techniques such as photography, digital illustration, audiovisual recordings, and interactive digital platforms, researchers aim to create a comprehensive and immersive portrayal of these costumes. Such an approach not only enriches scholarly research but also fosters greater cultural appreciation and awareness among contemporary audiences.

Landry-Wilfrid M. K. (2016) explores how mixed media can be utilized to visually represent African traditional dances, which includes discussion on the portrayal of costumes and cultural elements. While it may not specifically mention the Ohafia war dance, it provides a framework for understanding how mixed media can be employed to depict dance costumes and rituals in African cultural contexts.

Moreover, the integration of mixed media allows for the preservation of intricate details and variations in costume designs across different periods and contexts. Through collaborative efforts with community stakeholders, including cultural practitioners and historians, this study aims to create a digital archive that serves as a resource for future generations, ensuring the continued celebration and understanding of the Ohafia war dance and its rich cultural heritage.

However, the adoption of mixed media represents a significant advancement in the documentation and interpretation of traditional costumes, particularly within the context of cultural practices such as the Ohafia war dance. By embracing these innovative approaches, researchers can contribute to the ongoing dialogue on cultural preservation and heritage while celebrating the resilience and diversity of the Igbo people's cultural traditions.

1.2 STATEMENT OF THE PROBLEM

The costumes, which hold deep symbolic meaning and cultural significance, are at risk of being forgotten or lost as the younger generation becomes more disconnected from their cultural heritage. Many ethnic groups in Nigeria, no longer recognize the fact that costumes has gone beyond object of mere beatification and adornment, they wrongfully misrepresent an ideal costumes all in the name of fashion, making festival Costumes to loose it's sacredness and aesthetic values. Therefore, there's need to preserve its sacredness and also to correct people's misconception about cultural costumes.

1.3 AIM AND OBJECTIVES

AIM

The aim of this research is to showcase the costumes used in ohafia war dance through mix media

THE OBJECTIVES ARE:

i. To showcase the costumes used during Ohafia war dance

ii. To create a mixed media art piece that accurately represents the traditional costumes worn during the Ohafia war dance.

ii. To preserve and promote the cultural heritage of the Ohafia people by showcasing the costumes through mixed media art.

1.4 RESEARCH QUESTION

i. How can the use of mixed media indicate the costumes used during ohafia war dance

ii. How can using mixed media to indicate the costumes used during Ohafia war dance be used to educate people

iii. How can mixed media techniques effectively depict and analyze the traditional costumes worn during the Ohafia war dance?

1.5 SIGNIFICANT OF THE STUDY

i. This research will serve as reference materials for students and other researchers

ii. The research will help not just the younger generation but also the general public to know more about Ohafia war dance.

iii. The findings of the study will help to promote cultural education among the youths in Ohafia while at the same time creating cultural awareness about our culture.

Iv.Using mixed media can help preserve and document these costumes for future generations, ensuring that their intricate designs and cultural significance are accurately recorded and understood.

1.6 SCOPE OF THE STUDY

This research would encompass both artistic and cultural dimensions, aiming to enhance understanding and appreciation of the costumes used during the Ohafia war dance through the creative use of mixed media.

1.7 LIMITATION

This study is limited to just the Ohafia war dance amongst other Ohafia culture dances. Because of the uncertainty of it's date of origin and the uniqueness of the modified version of this dance, the researcher will be limited to some general information since the researcher has not been initiated into the dance group. Therefore will rely on online sources, available journals and books as well as interviews from citizens

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